japanese

Memories of the Future: Chris Marker’s Travels and Trials

Special Thanks to Institut français du Japon

Chris Marker (1921–2012) is a revolutionary French artist whose creations incorporate various media from photographs, to text, to the imaginary space of the Internet. As a film director, he has produced countless masterpieces, and in this robust program we invite audiences to experience the vast world of his work.

Venue: Yamagata Citizens’ Hall (Small Hall)


Last year, Chris Marker passed away at 91 years of age. The news of his passing took the world by surprise, and filmmakers, academics, and critics alike were quick to memorialize his monumental achievements and contributions to cinema. Never confining himself to a single field, Chris Marker was a traveller, photographer, activist, author, and multimedia artist. He turned his camera toward cinematic greats like Tarkovsky, Medvedkin, and Japan’s own Kurosawa Akira, though he hated to be photographed and interviewed himself. Marker was an unusual existence, a composite of various elements. Upon seeing his Sunday in Peking (1956), film theorist André Bazin (1918–1958) remarked that it was “an original work, belonging at the same time to literature, cinema, and photography . . . Neither a poem, nor reportage, nor a film, but a dazzling synthesis of all the above.” Chris Marker’s body of work spans almost an entire century, and is itself a history of cinema. Starting with film and expanding into the new medium of YouTube right before his death, he produced manifold works of art. Marker’s curiosity always surpassed the current limits of technology, and only grew as new mediums continued to emerge.

At this year’s YIDFF, we will memorialize Chris Marker with a retrospective of around 45 of his works that span from the beginning to the end of his career. Many of these films have never been screened in Japan.


Far from Vietnam  1967 / 115 min

Le joli mai  1962 / 165 min

Statues Also Die  1953 / 30 min
Sunday in Peking  1956 / 22 min
Letter from Siberia  1958 / 62 min

The Astronauts  1959 / 14 min
La jetée  1962 / 28 min
If I Had Four Camels  1966 / 49 min
E-clip-se  1999 / 8 min

Description of a Struggle  1960 / 60 min
The Kumiko Mystery  1965 / 54 min

Be Seeing You  1967 / 45 min
The Sixth Side of the Pentagon  1968 / 28 min
The Embassy  1973 / 21 min

Report on Paris: Words Have a Meaning  1970 / 19 min
Report on Prague: The Second Trial of Artur London  1971 / 30 min
Report on Brazil: Torture  1969 / 23 min
Report on Brazil: Carlos Marighela  1970 / 40 min
Report on Chile: What Allende Said  1973 / 16 min

A.K.  Narration: Hasumi Shigehiko / 1985 / 70 min

The Train Rolls On  1971 / 32 min
The Battle of Ten Million  1970 / 58 min

A Grin Without a Cat  1977 / 240 min

Sans soleil
 1982 / 100 min

A.K.  Japanese subtitled version / 70 min
One Day in the Life of Andrei Arsenevich  1999 / 55 min

The Last Bolshevik  1993 / 118 min

2084  1984 / 10 min
Three Video Haiku  1994 / 3 min
Level Five  1996 / 105 min

Prime Time in the Camps  1993 / 27 min
Blue Helmet  1995 / 25 min
A Mayor in Kosovo  2000 / 27 min

Three Cheers for the Whale  1972 / 16 min
Remembrance of Things to Come  2001 / 42 min
The Case of the Grinning Cat  2004 / 59 min

La théorie des ensembles  1990 / 13 min
Matta  1985 / 14 min
From Chris to Christo  1985 / 24 min
Junkopia  1981 / 6min
Slon Tango  1990 / 4 min
Cat Listening to Music  1990 / 2 min
Tokyo Days  1986 / 24 min
Berliner Ballad  1990 / 29 min
Ceaușescu Detour  1990 / 8 min

New Regard about Olympia 52  Julien Faraut / 2012 / 80 min


Special Events
Lecture: “The Cat-Headed Man” by Etienne Sandrin (Curator, Pompidou Centre)
Reading: “Le Dépays” by Etienne Sandrin and Fukuzaki Yuko