> Past Festivals

YIDFF 2015 Screening List

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International Competition

• Always and Again [Chloé Inguenaud, Gaspar Zurita / FRANCE / 2015]
• Dreamcatcher [Kim Longinotto / UK / 2015]
• Future June [Maria Augusta Ramos / BRAZIL / 2015]
• Hebei Taipei [Li Nien-hsiu / TAIWAN / 2015]
• Homeland (Iraq Year Zero) [Abbas Fahdel / IRAQ, FRANCE / 2015 / Award of Excellence]
• Horse Money [Pedro Costa / PORTUGAL / 2014 / The Robert and Frances Flaherty Prize]
• I Still Being (Kachkaniraqmi) [Javier Corcuera / PERU, SPAIN / 2013]
• Our Last Tango [German Kral / GERMANY, ARGENTINA / 2015]
• Paraguay Remembered [Dominique Dubosc / FRANCE / 2015]
• The Pearl Button [Patricio Guzmán / FRANCE, CHILE, SPAIN / 2015 / The Mayor’s Prize]
• Silvered Water, Syria Self-Portrait [Ossama Mohammed, Wiam Simav Bedirxan / SYRIA, FRANCE / 2014 / Award of Excellence, Citizens’ Prize]
• Toto and His Sisters [Alexander Nanau / ROMANIA / 2014]
• Us women . Them women [Julia Pesce / ARGENTINA / 2015 / Special Prize]
• We Shall Overcome [Mikami Chie / JAPAN / 2015]
• A Young Patriot [Du Haibin / CHINA, FRANCE, USA / 2015]

Jurors’ Films

• The Thoughts that Once We Had [Thom Andersen / USA / 2015]
• Echo of The Mountain [Nicolás Echevarría / MEXICO / 2014]
• A Day in Tianjin [Feng Yan / CHINA / 2015]
• The Face [Gustavo Fontán / ARGENTINA / 2013]
• 2012 [Makino Takashi / JAPAN / 2013]
• cinéma concret [Makino Takashi / JAPAN, THE NETHERLANDS / 2015]
• The Blossoming of Etsuko Kamiya [Dir: Kuroki Kazuo / Photography: Kawakami Koichi / JAPAN / 2006]
• A School of My Own [Gargi Sen / INDIA / 2009]
• Beyond Monarchs and Merchants [Gargi Sen / INDIA / 2002]

Special Invitation Films

• France Is Our Mother Country [Rithy Panh / FRANCE, CAMBODIA / 2015]
• Twenty Years Later: A Man Marked to Die [Eduardo Coutinho / BRAZIL / 1984]
• Elizabeth Teixeira’s Family [Eduardo Coutinho / BRAZIL / 2014]
• Galileia’s Survivors [Eduardo Coutinho / BRAZlL / 2014]
• Children Who Draw Pictures [Hani Susumu / JAPAN / 1956]
• The Cherry Tree with Gray Blossoms [Haneda Sumiko / Prod: Kudo Mitsuru / JAPAN / 1977]
• The Wages of Resistance: Narita Stories [Otsu Koshiro, Daishima Haruhiko / JAPAN / 2014]

New Asian Currents

• I Am Yet to See Delhi [Humaira Bilkis / BANGLADESH, INDIA / 2014 / Special Mention]
• ARAGANE [Oda Kaori / BOSNIA AND HERZEGOVINA, JAPAN / 2015 / Special Mention]
• Foolish Steps of a Fat Cow [Ghazi Alqudcy / BOSNIA AND HERZEGOVINA, SINGAPORE, GERMANY / 2015]
• Look Love (Special Version) [Ye Yun / CHINA / 2015]
• Gone [Jin Xingzheng / CHINA, GERMANY / 2015]
• Standing Men [Maya Abdul-Malak / FRANCE, LEBANON / 2015 / Ogawa Shinsuke Prize]
• The Seventh Wish [Varun Trikha / INDIA / 2014]
• Each Story [Okuma Katsuya / INDIA, JAPAN / 2014 / Award of Excellence]
• A Report about Mina [Kaveh Mazaheri / IRAN / 2014 / Special Mention]
• Distance [Okamoto Mana / JAPAN / 2015]
• Glittering Hands [Lee-Kil Bora / KOREA / 2014 / Special Mention]
• My No-Mercy Home [Aori / KOREA / 2013 / Directors Guild of Japan Award]
• When the Boat Comes In [Khin Maung Kyaw / MYANMAR, GERMANY / 2014]
• The Copper Village [Dipesh Kharel, Frode Storaas / NEPAL / 2015]
• O, Persecuted [Basma Alsharif / PALESTINE, UK]
• Anak Araw [Gym Lumbera / THE PHILIPPINES, USA / 2012]
• Snakeskin [Daniel Hui / SINGAPORE, PORTUGAL / 2014 / Award of Excellence]
• Millets Back Home [Sayun Simung / TAIWAN / 2013]

New Asian Currents Special Invitation Films

• Almost a Revolution [Kwok Tat Chun, Kong King Chu / HONG KONG / 2015]
• Sunflower Occupation [Sunflower Occupation Documentary Project / TAIWAN / 2014]

Perspectives Japan

• THE COCKPIT [Miyake Sho / JAPAN / 2014]
• Okinawa: The Afterburn [John Junkerman / JAPAN / 2015]
• PYRAMID: Kaleidoscope Memories of Destruction [Sasakubo Shin / JAPAN / 2015]
• Under the Cherry Tree [Tanaka Kei / JAPAN / 2015]
• Voyage [Ikeda Sho / JAPAN / 2015]

Yamagata Rough Cut!

• adofinea Are you here? [Muratsu Ran]
• note [Oura Miran]
• EMP [Isaka Shu]
• KIKU project YRC! mix [Nishimura Tomomi]
• My Sweet and Bitter Village [Okazaki Mayumi]
• Apo’s four seasons [Yoneda Mai]

Asia Film Communities: A Glittering Constellation

• Storm Children—Book One [Lav Diaz / THE PHILIPPINES / 2014]
• Behind the Flickering Light (The Archive) [Hafiz Rancajale / INDONESIA / 2013] (Double Shadows)
• Cutting Films [Edwin / 2015 / installation]
• Hard Boiled [Rizki Lazuardi / 2015 / installation]

Latinoamérica—The Time and the People: Memories, Passion, Work and Life

• Tire Dié [Fernando Birri, Students at the Film Institute of the National University of the Litoral, Santa Fe / ARGENTINA / 1960]
• Chronicle of a Boy Alone [Leonardo Favio / ARGENTINA / 1965]
• The Hour of Furnaces [Octavio Getino, Fernando Solanas / ARGENTINA / 1968]
• Mexico: The Frozen Revolution [Raymundo Gleyzer / ARGENTINA / 1973]
• The Battle of Chile—The Struggle of an Unarmed People [Patricio Guzmán / CHILE, CUBA, FRANCE / 1975–78]
• The Shout [Leobardo López Aretche / MEXICO / 1968]
• Listen, Look [Luis Ospina, Carlos Mayolo / COLOMBIA / 1972]
• The Vampires of Poverty [Luis Ospina, Carlos Mayolo / COLOMBIA / 1978]
• Stones in the Sky [Eryk Rocha / BRAZIL / 2002]
• Twenty Years Later: A Man Marked to Die [Eduardo Coutinho / BRAZIL / 1984] (Special Invitation Films)
• Valparaiso [Joris Ivens / CHILE, FRANCE / 1963]
• The Suitcase [Raúl Ruiz / CHILE / 1963]
• In an Alien Land [Miguel Littin / CHILE / 1965]
• Child Malnutrition [Álvaro Ramírez / CHILE / 1969]
• We Shall Overcome [Pedro Chaskel, Héctor Ríos / CHILE / 1970]
• Message from Chile [A collective of 7 directors from Chile, and 3 directors from Cuba / CHILE / 1978]
• Insolent and Disheveled [Carlos Flores Delpino / CHILE / 1973]
• The Brickmakers [Marta Rodríguez, Jorge Silva / COLOMBIA / 1972]
• Our Voice of Earth, Memory and Future [Marta Rodríguez, Jorge Silva / COLOMBIA / 1973–81]
• María Sabina, Woman Spirit [Nicolás Echevarría / MEXICO / 1979]
• Echo of The Mountain [Nicolás Echevarría / MEXICO / 2014] (Jurors’ Films)
• Master—A Copacabana Building [Eduardo Coutinho / BRAZIL / 2002]
• Invasion [Abner Benaim / PANAMA, ARGENTINA / 2014]
• PROPAGANDA [MAFI / CHILE / 2014]
• Toponymy [Jonathan Perel / ARGENTINA / 2015]
• The New Man [Aldo Garay / URUGUAY, CHILE / 2015]
• The Tree [Gustavo Fontán / ARGENTINA / 2006]
• The Face [Gustavo Fontán / ARGENTINA / 2013] (Jurors’ Films)
• Sensitivity [Germán Scelso / ARGENTINA / 2012]
• Santiago [João Moreira Salles / BRAZIL / 2006]
• Open String [Marcel Beltrán / CUBA / 2011]
• The Big House [Juliette Touin / CUBA / 2013]
• ABC’s [Diana Montero / CUBA / 2013]
• The Tree [Roya Eshraghi / CUBA, IRAN / 2014]

Double Shadows—Talking about Films that Talk about Films

• Visit or Memories and Confessions [Manoel de Oliveira / PORTGUAL / 1982]
• Nice, à propos de Jean Vigo [Manoel de Oliveira / FRANCE / 1983]
• Red Ashes [Augusto Contento, Adriano Aprà / FRANCE, ITALY / 2013]
• The Search for Emak Bakia [Oskar Alegría / SPAIN / 2012]
• When Cinema Reflects the Times—Hou Hsiao-Hsien and Edward Yang [Kore-eda Hirokazu / JAPAN / 1993]
• Los Angeles Plays Itself [Thom Andersen / USA / 2003]
• Cinéastes de notre temps: John Cassavetes [André S. Labarthe, Hubert Knapp / FRANCE / 1969]
• It All Started at the End [Luis Ospina / COLOMBIA / 2015]
• Remake, Remix, Rip-off [Cem Kaya / GERMANY, TURKEY / 2014]
• Me and My Brother [Robert Frank / USA / 1969, re-edited 1997]
• Jean-Luc Godard, Disorder Exposed [Céline Gailleurd, Olivier Bohler / FRANCE / 2012]
• A Movie? [Morita Yoshimitsu / JAPAN / 1971]
• Original Copy [Florian Heinzen-Ziob, Georg Heinzen / GERMANY / 2015]
• Behind the Flickering Light (The Archive) [Hafiz Rancajale / INDONESIA / 2013] (Asia Film Communities)
• Nitrate Flames [Mirko Stopar / NORWAY, ARGENTINA / 2014]
• France Is Our Mother Country [Rithy Panh / FRANCE, CAMBODIA / 2015] (Special Invitation Films)
• Images of the Orient—“Vandal Tourism” [Yervant Gianikian, Angela Ricci-Lucchi / ITALY, FRANCE / 2001]
• Discovering Images—The Age of Matsumoto Toshio [Tsutsui Takefumi / JAPAN / 2013]

Past and Future Stories of the Arab Peoples

• From My Syrian Room [Hazem Al-Hamwi / FRANCE, GERMANY, SYRIA, QATAR / 2014]
• A Syrian Love Story [Sean McAllister / UK / 2015]
• Trip Along Exodus [Hind Shoufani / PALESTINE, SYRIA, LEBANON, USA / 2015]
• Um Ghayeb: Mother of the Unborn [Nadine Salib / EGYPT, UAE / 2014]
• The Unbearable Presence of Asmahan [Azza El-Hassan / AUSTRIA, QATAR / 2014]
• Walls and People [Dalila Ennadre / FRANCE, ALGERIA, MOROCCO / 2014]
• Land Day [Prod: PLO SAMED Film Branch / PALESTINE / 1983]
• Lebanon 1949 [Photography: Neif Jury / MEXICO / 1949]
• Lebanese Civil War [Prod: PFLP, Al-Mourabitoun / PALESTINE / 1976]
• Beirut 1982 [Prod: Nunokawa Productions / JAPAN / 1982]

Yamagata and Film

• A Voiceless Cry [Haramura Masaki / JAPAN / 2015]
• Sepia-Tinted Testimony: Hidden Photos of the Huanggutun Incident [Prod: Yamagata Broadcasting / JAPAN / 1986]
• Aru senpan no shazai—Tsuchiya moto kenpei shoui to chugoku [Prod: Yamagata Broadcasting / JAPAN / 1990]
• Ryakudatsu—Aru gocho no enzai [Prod: Yamagata Broadcasting / JAPAN / 1993]
• Anata mata senso desuyo—Nokosareta tsumatachi no shuki [Prod: Yamagata Broadcasting / JAPAN / 2005]
• Kodomo no koro senso ga atta—Daigakusei ga kiku senso taiken [Prod: Tohoku University of Art and Design / JAPAN / 2015]
• Missing [Imamura Shohei / JAPAN / 1967]
• Mori Tatsuya Presents “Truth or Lies” [Murakami Kenji / JAPAN / 2006]
• Chô Kowasugi! Shivering Files of the Supernatural Phenomenon FILE-02
  Super Horror Story of a Snake Woman [Shiraishi Koji / JAPAN / 2015]
• Films from “Cinema for Children” Filmmaking Workshop [JAPAN / 2015]
• AKANE [JAPAN / 2014]
• The Mysterious Forest—Seeking the Place of Dreams [JAPAN / 2015]
• Standing Tall on Sodai Street [JAPAN / 2014]
• We Who Felt Time [JAPAN / 2015]
• Wild Roses [1952]
• Toward The Unbreakable Peace: A Report of the 8.6 World Conference Against Atomic and Hydrogen Bombs [1955]
• Appeal from the Base Okinawa [1956]
• Senpuri Senji Laughed! [1956]

Cinema with Us 2015

• Nature and Symptoms / From Four Poems [Iwasaki Takamasa / JAPAN, AUSTRIA / 2015]
• Tracing the Future: Photographer Naoya Hatakeyama [Hatakeyama Yohei / JAPAN / 2015]
• The Light After the Tsunami [Sakashita Kiyoshi / JAPAN / 2014]
• LIVE! LOVE! SING! [Inoue Tsuyoshi / JAPAN / 2015]
• Tell the Prime Minister [Oguma Eiji / JAPAN / 2015]
• Paths of Families—Never Forgetting 3/11 [Onishi Nobuo / JAPAN / 2015]
• Trace of Breath [Komori Haruka / JAPAN / 2015]
• Close But Distant [Okubo Yui / JAPAN / 2015]
• Nuclear Nation 2011–2015 [Funahashi Atsushi / JAPAN / 2015]
• Mom! I Have Forgotten Your Face Already [Endo Michiro / JAPAN / 2015]

YIDFF Network Special Screening

• Dryads in a Snow Valley [Kobayashi Shigeru / JAPAN / 2015]

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Related Program
Documentary Speaks—Taiwan Today in Light and Shadow

• The Moment [Yang Li-chou / TAIWAN / 2014]
• Hard Good Life [Hsu Hui-ju / TAIWAN / 2003]
• The Spirit of 8 [Li Chia-hua / TAIWAN / 2003]
• A Rolling Stone [Shen Ko-shang / TAIWAN / 2013]
• Corner’s [Zero Chou, Hoho Liu / TAIWAN / 2001]
• Three Fork Village [Chen Liang-feng / TAIWAN / 2005]
• The Last Rice Farmers [Yen Lan-chuan, Juang Yi-tseng / TAIWAN / 2005]
• Young at Heart: Grandma Cheerleaders [Yang Li-chou / TAIWAN / 2011]
• As Life, As Pangcah [Mayaw Biho / TAIWAN / 1998]
• Malakacaway The Rice Wine Filler [Mayaw Biho / TAIWAN / 2009]
• Chen Tsai-gen and His Neighbors [Wu Yii-feng / TAIWAN / 1996]