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          | Princess 
            Plum P-udding 
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          | JAPAN 
            / 1999 / Japanese/ Color / Video / 35 min 
 Director, Script, Photography, Sound, Editing: Terashima Mari
 Additional filming: Abe Yukiko
 Sound effects: Kizu Yuji
 Narration: Konno Yukari
 Producer, Source: Terashima Mari
 65 Ichijojisatonomae-cho, Sakyo-ku
 Kyoto-shi, Kyoto 606-8117 JAPAN
 Phone & Fax: 81-75-791-8294
 
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 | Terashima 
            Mari 
 Graduated from Kyoto College of Art in 1989. Won Grand Prize at the 
            Image Forum Festival in 1991. Annual screening at the Image Forum 
            Film Festival since 1991. Installation work exhibited in the Mito 
            Annual 92 at the Art Tower Mito, in 1992. Film screened at the Oberhausen 
            Short Film Festival in 1995. Work has toured around the world under 
            the auspices of The Japan Foundation since 1997.
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          | In 19th century Europe, photographs of the "grotesque" such as deformed 
            bodies and corpses were popular and enthusiastically traded and collected. 
            In contemporary Japan, a video about voluptuous little Sayomi-chan 
            who loves to collect Mickey Mouse paraphernalia -  how do people look 
            at her as she sways to Baroque in a white negligee? Do modern day 
            cavaliers court her? Will her domineering mother save her from evil 
            eyes?
 The director hands her the video camera and attempts to present the 
            world through her perspective. She dresses her up in extravagance, 
            shows off her glamorous presence, and proves that she is no sissy 
            object or victim - she is larger than life.
 
 Director's 
            Statement
 It was a shock to meet the main character of this film, a woman with 
            a slight mental disability, since I had never had the chance to know 
            someone with disabilities. By working with her in the process of making 
            this film, I was able to merge documentary techniques with experimental 
            images, the latter being a style that had dominated all my previous 
            work. This was possible in part because I had the strong urge to try 
            to understand her, rather than to force my own image of her onto the 
            screen. It is a myth that a mentally disabled person possesses an 
            innocent soul, thus, is perfectly beautiful. In fact there were times 
            she tried to make us give up the filming by complaining "I don't care," 
            and other times when she gave her mother a hard time. But all of this 
            is what I like about her. It was impressive that Simone, a Drag Queen 
            who played a role in this film, was actually jealous of this woman, 
            a natural Diva.
 
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